Same-Day Support  ·  Zero-Downtime Onboarding  ·  Love Us or Your Money Back

Ep 46 – “Suits & Streets” with Oscar Durán

Oscar Duran reads four books at a time, runs a bespoke tailoring atelier with his partner Katie, renovates old buildings through his community development company Black Sailboat, and is putting out a book called The Garden Regions of Tomorrow. He started first grade with How to Win Friends and Influence People as his reader. By the end of his sophomore year of high school he was living on his own. Somewhere between door knocking in Italian textile shops and door knocking in South Omaha neighborhoods, he stitched all of it into a single idea about place, craft, and what it means to be a citizen.

What You'll Hear

  • How Oscar's mother had him reading How to Win Friends and Influence People in first grade
  • Why he moved out at the end of his sophomore year of high school and what Creighton Prep did with him
  • How a Jesuit principal and a last week of school hallway conversation produced a full ride to UNO
  • Losing that full ride in one year and taking six years and multiple retakes to finish undergrad
  • The census tract class project that dropped him into South Omaha's Deer Park neighborhood at 22
  • Going to Peru on a service learning trip and coming back with clothes to sell at school
  • How he and Katie became certified master tailors doing bespoke clothing out of Fremont
  • The pitch behind gardenregions.com and the 12 white papers inside his forthcoming book

A tailor, a community developer, and a guy who wears a few hats

Oscar Duran lives and works in Fremont, Nebraska, a town he treats less like a zip code and more like the anchor point of what he calls his garden region. That region, by his own math, is a triangle that runs from Fremont to Council Bluffs to Walnut, each leg about 45 minutes to an hour. Four counties across two states. He introduces himself as private, which is funny because he runs at least three visible expressions of the same core interest.

The main one is L'Ouve Brideau Sartorial, the bespoke tailoring and clothing design studio he runs with his partner Katie. They are certified master tailors. They do base fittings, sometimes muslin fittings, the kind of slow process you would get on Savile Row in London. He is focused right now on growing the women's wear side because he sees a gap in the region for it.

On top of that he runs Black Sailboat Community Development, which renovates and builds old buildings. He and Katie are currently restoring an old high school in Walnut. He also keeps a handful of longer term clients whose executive directors he coaches about ten hours a month on strategy, HR, development, and land acquisition, some of them for three or four years now.

Through all of it he treats sales as a synonym for curiosity. He says his passion is other people's passions. Find someone who is weird into quilting and he will learn everything about quilting.

Bespoke tailoring and community development podcast illustration with a thread spool and rooftop in cyan and teal on navy

First grade with Dale Carnegie and a high school that had to be fought for

His mother handed him How to Win Friends and Influence People as his first book in first grade. Five pages a day for two years. Then The Road Less Traveled for another year. He talks about his mom as a single parent until he got his stepdad, who he calls his real dad. The through line was unconditional love and the refrain that if he was going to sweep floors, he better be the best floor sweeper.

At the end of his sophomore year he was living on his own. He calls it creative differences with his family. He was 15, then 16, in the Bellevue area south of Omaha. A high school counselor set up a Marine recruiter meeting for him. The recruiter called his mother afterward and told her this kid is going places, which Oscar still laughs about because at the time he did not feel like he was going anywhere.

He was at Creighton Prep, a Jesuit all boys school. He didn't come from affluence. He did work study cleaning toilets, mopping floors, and sweeping to help pay tuition. He started a small construction company his sophomore year, renovating basements for teachers and door knocking for window jobs. Some of the other kids made fun of the stuff in the bed of his truck. He got excused from the school for what he calls morality reasons, bounced briefly to another school, got excused from that one too, and then went back to Prep to negotiate his way through to graduation. The Jesuit motto there, man for others, stuck. So did one principle he credits to Father Tillman and the counselors there: the only bad ask is no ask.

A last week hallway conversation, a full ride, and then six years of undergrad

In his last week of high school, Father Tillman pulled him out of class in the hallway. Oscar had not picked a college because he didn't think he could afford one. Father Tillman asked what would happen if they got him a full ride. Long story short, they did. Tuition and books at the University of Nebraska Omaha.

He lost it in the first year. He had a construction company with three staffers. When it rained he had to leave algebra class to cover a roof. He was paying rent, paying some bills that weren't his, and trying to keep his credit intact. The university sent him a letter that effectively told him to take a year off and think about what he wanted to do.

He went to Texas for a minute, bought a big pressure washer, tried to grind, and didn't do well that semester either. He came back to Omaha, committed to rooting himself, and set about finishing his undergrad on his own dime. Because he had to retake most of his first two years of classes for the grades to count, undergrad took six years. He paid off those student loans two months before this conversation. He also points out that a lot of people in his cohort owed just as much and never finished at all, which he treats as a live indictment of how higher education handles accountability and ROI for first generation students.

Census tract 24, Deer Park, and finding out he was a civic artist

Toward the end of undergrad he took an urban sociology class and picked census tract 24 in a South Omaha neighborhood called Deer Park. He started door knocking. The neighborhood group he found included the longest serving city councilman in Omaha history, a current state senator and a former state senator for the district, and the head of fundraising for Catholic charities for Omaha. All Anglo, all optimistically late 40s and up. He was 22, with two eyebrow rings, pink metallic hair, DJing at Nomad at night while the early Omaha Fashion Week scene was coming together.

He loved the work. They were parking cars at the College World Series as a fundraiser and pulling in close to $500,000 a year. They put in a half million dollar park. They paid for tree services. When Nebraska passed legislation that made a second graffiti offense a felony with up to a year in prison, he helped start a graffiti throwdown instead of a crackdown. Later, when the College World Series moved and the fundraising base went with it, he pitched tearing down houses and building new ones as a way to go out with a bang.

An Omaha based glass artist named Thurman Statham told him, somewhere around age 26, that he was an artist. Oscar bristled at first. Then he wrote an artist statement, the one he still uses as the mantra for Black Sailboat: community first, people before projects, adapt to serve. He points out that people does not sit next to profit there. It sits next to projects. The reframe, civic artist instead of policy writer, gave him permission to keep showing up in community work without pretending he belonged in a think tank.

Peru, door knocking in Italy, and the bespoke studio in Fremont

In his last semester of undergrad he signed up for a service learning trip to Peru through UNO's Office of Latino and Latin American Studies. He spent time in what he describes as the third largest textile district in the southern hemisphere and came back hauling clothes to sell on the side at school. He took a job at Younkers in Omaha selling salon shoes because he wanted to be around the expensive end of the business and learn how that end worked.

The tailoring eventually grew up into its own thing. He and Katie got certified as master tailors and designers over the last four and a half years. The approach is old world. He flies to Italy and door knocks textile mills and dressmakers the same way he door knocked South Omaha neighborhoods. A client who comes into the Fremont studio is not walking into a rack of finished suits. They are walking into fabrics, sewing machines, and a base fitting. He would rather a client buy one pair of jeans a year that they feel great in than ten pairs over three years that they don't.

He is specific about why this matters beyond vanity. Every time he fits someone into a bespoke shirt or a pair of jeans or a letterman jacket, he sees a visible shift in how they carry themselves. He calls it starting with yourself. It is the same principle he applies to neighborhoods: intentional, slow, built to fit the person in front of you, not ordered off a rack that was cut for someone else.

The Garden Regions of Tomorrow and reviving civic imagination

His book is called The Garden Regions of Tomorrow: Reviving Our Civic Imagination. Pre orders will be at gardenregions.com, with the site going live at the end of the month. It is a collection of 12 white papers written as social ethnography, structured in a narrative format that he compares loosely to the spiritual exercises of St. Ignatius. The papers are academically rigorous on purpose. He has been strategically tagging international housing scholars because he wants their read on it.

His argument is that the housing crisis, here and globally, is being met with crisis thinking, which does not work. We have moved from being citizens who build a town hall together to being consumers demanding better services, better programs, more efficiency. The creativity, he says, exists mostly in silos among economists, specific politicians, and business people. It is not wrong. It is not enough. He wants leaders in a room together, literally playing with Legos if that is what it takes, imagining what their shared region could do if they stopped competing for internal resources and started cooperating.

His own garden region stretches across Dodge County in Nebraska to Pottawattamie County in Iowa. Omaha worries about Omaha. Fremont worries about Fremont. State lines do not actually matter. He cites Raj Chetty on how much zip code shapes outcomes, Joel Kotkin on the coming of new feudalism, and Robert Putnam on social capital, and says that the one variable no policy survives intact is a human being with a personality. Emotional intelligence and civic imagination, in his view, are the missing ingredients. The book is his attempt to put both back on the table.

About Oscar Duran

Oscar Duran is a certified master tailor and community developer based in Fremont, Nebraska. With his partner Katie, he runs L'Ouve Brideau Sartorial, a bespoke clothing atelier, and Black Sailboat Community Development, which renovates old buildings and advises neighborhood nonprofits across a four county region spanning Nebraska and western Iowa. He is the author of the forthcoming book The Garden Regions of Tomorrow: Reviving Our Civic Imagination. gardenregions.com

Like What You Hear?

Subscribe to Ground Zero Growth on your favorite platform.

Spotify Apple Podcasts Amazon Music YouTube